What is Tomo Miličević's Net Worth?
Tomo Miličević is an American musician who has a net worth of $4 million. Tomo Miličević is best known for his role as the lead guitarist of the rock band Thirty Seconds to Mars. Joining the group in the early 2000s, Milicevic became a central creative force during the band's rise from cult alternative act to global arena headliner. His textured guitar work, cinematic sensibility, and collaborative songwriting helped define the sound of some of the band's most commercially successful and critically recognized albums. Beyond his work with "Thirty Seconds to Mars," Milicevic has also built a reputation as a versatile collaborator and producer, contributing to projects across rock, pop, and electronic music. Known for his technical skill, melodic instincts, and understated public persona, he has remained an influential figure in modern alternative rock while largely avoiding the celebrity spotlight embraced by some of his peers.
Early Life
Tomo Milicevic was born on September 3, 1979, in Sarajevo, Bosnia and Herzegovina, which was then part of Yugoslavia. His family fled the region during the Bosnian War, eventually settling in the United States when he was a child. He was raised in Michigan, where he grew up alongside his siblings in a household shaped by the immigrant experience.
Milicevic initially gravitated toward music through classical violin, studying the instrument as a child. Although he ultimately moved away from formal classical training, that early foundation influenced his later approach to melody, harmony, and composition. As a teenager, he shifted his focus to guitar, immersing himself in rock, metal, and alternative music while developing a disciplined practice routine that blended technique with experimentation.
Joining Thirty Seconds to Mars
Milicevic joined "Thirty Seconds to Mars" in 2003, shortly after the release of the band's self-titled debut album. Founded by brothers Jared and Shannon Leto, the group was in the process of refining its lineup and musical direction. Milicevic quickly became an essential member, contributing both instrumentally and creatively as the band expanded its sound.
His first full studio appearance with the band came on "A Beautiful Lie," released in 2005. The album marked a major breakthrough, producing hit singles such as "The Kill" and "From Yesterday" and propelling the band to international recognition. Milicevic's layered guitar textures and atmospheric approach played a key role in shaping the album's emotional intensity and anthemic quality.
Creative Peak and Global Success
Milicevic's influence grew further on later albums including "This Is War" and "Love, Lust, Faith and Dreams." These records leaned heavily into epic arrangements, electronic elements, and expansive production, with Milicevic contributing to songwriting, sound design, and studio experimentation. "This Is War" in particular became one of the band's defining releases, supported by an ambitious touring schedule that included a Guinness World Record for the most live shows performed during a single album cycle.
During this period, Milicevic was also known for his meticulous attention to tone and gear, crafting guitar sounds that blended traditional rock elements with synth-driven textures. His work helped distinguish "Thirty Seconds to Mars" from its contemporaries in the alternative and modern rock scenes.
(Photo by Frederick M. Brown/Getty Images)
Departure from the Band
In 2018, Milicevic announced his departure from "Thirty Seconds to Mars," citing personal reasons and a desire to explore new creative paths. His exit marked the end of a fifteen-year run with the band and closed a significant chapter in its history. While details surrounding the decision were kept largely private, both Milicevic and the band emphasized mutual respect and gratitude for their time working together.
Later Work and Artistic Focus
Following his departure, Milicevic stepped back from high-profile touring and shifted his attention toward studio work, production, and personal creative projects. He has collaborated with various artists behind the scenes and has shown interest in visual art, design, and experimental music. Compared to his years in a globally visible rock band, his post–"Thirty Seconds to Mars" career has been deliberately low-key, focused more on craft than public exposure.
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