What was Tito Puente's Net Worth?
Tito Puente was an American musician, bandleader, songwriter, and record producer who had a net worth of $5 million at the time of his death. Dubbed the "King of the Timbales," Tito Puente was one of the most influential Latin musicians of the 20th century. A master percussionist, bandleader, and composer, Puente blended Afro-Cuban rhythms with jazz, mambo, and salsa, helping bring Latin music into the mainstream. Over a career that spanned more than five decades, he recorded more than 100 albums, won multiple Grammy Awards, and became an international ambassador for Latin jazz. His high-energy performances and virtuosity on the timbales made him a household name, while his compositions, such as "Oye Como Va" (later popularized by Carlos Santana), remain staples of the genre.
Born in Spanish Harlem to Puerto Rican parents, Puente studied music from a young age and honed his craft at Juilliard after serving in the Navy during World War II. By the late 1940s, he was leading his own orchestra and making a name for himself in New York's vibrant dance halls, where mambo and cha-cha-chá reigned. Puente's influence extended beyond recordings and concerts—he helped shape the sound of Latin music in film, television, and popular culture. Even late into his career, he remained a dynamic performer and educator, ensuring his legacy as a pioneer of Latin jazz.
Early Life
Tito Puente was born Ernest Anthony Puente Jr. on April 20, 1923, in New York City to Puerto Rican immigrants Ernest Sr. and Felicia. He spent most of his childhood in the Spanish Harlem neighborhood. Musically inclined from an early age, Puente took piano lessons before focusing mainly on percussion. In the 1930s, he formed a song-and-dance duo with his sister Anna, but this was cut short when he suffered an ankle injury. Puente was considered a prodigy by the age of 13. During his teenage years, he played in the bands of Ramon Oliver and Machito.
Naval Service
In 1942, Puente was drafted into the US Navy. He served as the bugler aboard the escort carrier USS Santee, and also played alto saxophone and clarinet in the ship's big band. At times, Puente drummed and played piano, as well. In the Battles of Leyte and Midway, he served as a machine gunner. At the end of the war, Puente was discharged with a Presidential Unit Citation.
Post-Navy
Toward the end of his time in the Navy, Puente was offered a delayed return so he could travel to different parts of Asia. Across the span of several months, he stopped in various cities to learn about local music, food, and customs. After leaving the Navy, Puente attended the Juilliard School on the GI Bill. There, he studied orchestration and conducting. He went on to establish his own band in 1948.
Peak of Success
Puente reached the peak of his popularity in the 1950s when he helped bring the Cuban musical genres of mambo, son, and cha-cha-chá to mainstream audiences in the United States. Among his most renowned albums was "Dance Mania," released in 1958. Puente and Cuban music found particular purchase at the Palladium Ballroom in New York City, which became known as the "Home of the Mambo." In the early 1960s, Puente wrote and recorded what would become one of his most famous songs: "Oye Cómo Va." The track became a major hit for the rock band Santana a decade later. Also in the 1960s, Puente collaborated with Cuban singer La Lupe on the album "Tito Puente Swings, The Exciting Lupe Sings."

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Later Recording Career
In the 1980s, Puente moved more toward Latin jazz, releasing such albums as "El Rey," "Sensacion," and "Un Poco Loco." He explored a number of genres in the 1990s on such albums as "Tito's Idea," "Jazzin'," "Percussion's King," "50 Years of Swing," "Timbalero Tropical," and "Carnival." Puente also performed at the closing ceremony of the 1996 Summer Olympics in Atlanta. The following year, he was awarded the National Medal of Arts. Puente remained prolific in the early years of the 21st century, with albums including "Cha Cha Cha for Lovers," "Party with Puente!," "Mambo Mambo," "Cocktail Hour," "Fiesta," "Hot Timbales!," and "Caravan Mambo." In 2003, he was given a posthumous Grammy Lifetime Achievement Award.
Film and Television
In the latter half of the 1980s, Puente played a bandleader in the comedy films "Armed and Dangerous" and "Radio Days." He later appeared as himself in the 1992 musical drama "The Mambo Kings," to which he also contributed some songs. In 1995, Puente had a voice role playing himself in the classic "Simpsons" episode "Who Shot Mr. Burns?," in which he is among the people suspected of shooting the widely reviled Mr. Burns. He ultimately clears himself by singing the mocking song "Señor Burns," which went on to earn an Emmy Award nomination. Among his other appearances, Puente was the subject of the 2000 documentary film "Tito Puente: The King of Latin Music," and the same year he appeared in the Latin jazz documentary "Calle 54."
Personal Life and Death
With his first wife, Mirta Sanchez, Puente had a son named Ron. He later had sons Richie and Tito Jr. and a daughter named Audrey Puente, who became a television news meteorologist. Following a concert in Puerto Rico on May 31, 2000, Puente had a massive heart attack and was flown to New York City for surgery. However, he passed away that night.